Skipping Ahead

Just a little Orchid tease to show off body contours. The backside is quite a bit more daring. I lost internet for almost two weeks, so posts are behind progress. Here, we are looking at unfinished wood, mid-way through the sculpting process.

Wood pre-finish preparation is incredibly important. The process begins with rasps, files, scrapers, and culminates in progressively finer grits of sandpaper: 50, 80, 100, 120, 150, 220, 320, 400, 600. I wet-raise the grain between every grit, until — at the 600 grit mark — water no longer affects the raw wood surface.

Sculpture is a combination of strength, finesse, tactile evaluation, and meditation.

I want surfaces to blend into adjacent forms, using a consistent logic throughout the instrument: concave, convex, linear, crisp. As you move the instrument, shapes fall away in a visually musical rhythm. Poetry.

EDITOR'S NOTE: I think somebody's been wearing a respirator and earplugs too long.

ORCHID SERIES:

Orchid Design
Orchid (Explained)
Stacked Laminate Neck Construction
Orchid Body
Orchid Neck Construction (Trapezoidal)
Trapezoidal Neck Profile
Skipping Ahead
Purple
Orchid Assembly

Comments

[Alexander López]

I have enjoyed reading the Orchid evolution, I do agree this design haves a rhythm on its own. It reminds me some musical pieces from Erik Satie: atypical and beatiful.
http://www.youtube.com/watch?v=-FbwINVts7c&feature=related

Great, great work!

[goran]

Orchid is the only bass guitar in the world that I would like to play/own. There is something about Orchid that invites me to play it.

Beautiful work of art.